By Susan Scafidi
While claims of authenticity or caliber may possibly urged a few shoppers to hunt cultural items at their resource, the groups of foundation are normally not able to exclude copyists via criminal motion. Like different works of unincorporated staff authorship, cultural items lack safety below our method of highbrow estate legislations. yet is that this criminal vacuum an injustice, the lifeblood of yank tradition, a historic oversight, end result of the administrative lack of ability, or all of the above?
Who Owns Culture? deals the 1st complete research of cultural authorship and appropriation inside of American legislation. From indigenous artwork to Linux, Susan Scafidi takes the reader on a journey of the no-man's-land among legislations and tradition, pausing to invite: What activates us to supply felony safety to works of literature, yet no longer folklore? What does it suggest for a production to belong to a group, specifically a diffuse or fractured one? And is our nationwide tradition the made from Yankee ingenuity or cultural kleptomania?
Providing new insights to communal authorship, cultural appropriation, highbrow estate legislation, and the formation of yank tradition, this leading edge and available consultant significantly enriches destiny felony figuring out of cultural production.
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Who Owns Culture?: Appropriation and Authenticity in American Law (Rutgers Series: The Public Life of the Arts) by Susan Scafidi