By Matthias Dickert
The hybrid that is a end result from this and that is so commonplace for Muslim writing of the second one iteration ordinarily can also be mirrored in "Reading Lolita in Tehran" (2004) the second one novel analysed right here. This 'hybrid situation' is strongly mirrored within the own, cultural and spiritual odyssey such a lot Muslim characters adventure. This in particular is going for girls seeing that they're nonetheless portrayed of their inferior function.
The universal foundation of either novels can as a result be visible within the impact of the Iranian environment often and the function of the Iranian Revolution and the rising Iranian Republic specifically which either strongly formed this kingdom and her population whereas additionally throwing mild at the (mostly tough) lifestyles in Iran.
It is usually this particular state of affairs of Iran which many woman authors use as a surroundings which disposes of a dramatic history that's used as an underlying dramatic aspect for the narration as such.
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Extra resources for The presentation of the Iranian woman. A critical reflection of Azar Nafisi's novel "Reading Lolita in Tehran" (2004) and Azadeh Moaveni's "Lipstick Jihad" (2005)
The presentation of the Iranian woman. A critical reflection of Azar Nafisi's novel "Reading Lolita in Tehran" (2004) and Azadeh Moaveni's "Lipstick Jihad" (2005) by Matthias Dickert