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By Anita Haya Patterson

ISBN-10: 0195109155

ISBN-13: 9780195109153

This booklet strains a provocative line from Emerson's paintings on race, reform, and id to paintings through 3 influential African- American thinkers--W. E. B. Du Bois, Martin Luther King Jr., and Cornel West--each of whom deals refined engagement with either the culture of written protest and the critique of liberalism Emerson formed. Emerson has been forged in fresh debate as both an antinomian or an ideologue--as both subversive of institutional controls or indebted to capitalism. right here, Patterson contributes a extra nuanced view, probing Emerson's list and its cultural and old matrix to record a primary rhetoric of contradiction--a strategic aligning of adversarial political concepts--that enabled him to either confirm and critique parts of the liberal democratic version. Drawing richly on subject matters in political philosophy, legislation, faith, and cultural background, Patterson examines the character and implications of Emerson's contradictory rhetoric in elements I and II. partially III she considers Emerson's legacy from the point of view of African-American highbrow historical past, selecting clean continuities and an important discontinuities among the canonical pressure of protest writing Emerson helped determine and African-American literary and philosophical traditions.

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From Emerson to King: Democracy, Race, and the Politics of Protest: Democracy, Race and the Politics of Protest (W.E.B. Du Bois Institute) by Anita Haya Patterson


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