Female Gender Stereotypes in Oscar Wilde´s "The Picture of - download pdf or read online

By Alexandra Langbein

ISBN-10: 3640338596

ISBN-13: 9783640338597

Seminar paper from the 12 months 2007 within the topic English - Literature, Works, grade: 2, college of Bamberg (Lehrstuhl für Englische Literaturwissenschaft), direction: Oscar Wilde Hauptseminar, language: English, summary:
1. The Fin de Siécle : A conflict among in addition to in the Sexes
In her ebook Sexual Anarchy Elaine Showalter claims that “the fin de siécle was once not just a conflict among but in addition in the sexes” . The phrases “feminism” and “homosexuality” first got here into use simply because New ladies and male aesthetes redefined the meanings of femininity and masculinity and there have been fears that emancipated girls could endure teenagers outdoor of marriage, or worse, that they wouldn't have young children in any respect. Playwrights like Arthur Pinero and Bernard Shaw decide on women´s oppression as issues for his or her works in addition to Thomas Hardy, George Meredith and George Moore who wrote concerning the precarious state of affairs of ladies of their novels. The fin de siécle was once additionally a interval of sexual scandals (there have been issues of brothels, baby prostitution and the sexual epidemic of syphilis), which replaced the extent of public understanding approximately sexuality.
The Victorians “sought political emancipation, with a religion within the liberal tenets of person freedom, equality, and autonomy [and] Individualism”, they have been very rational and innovative in reasonable issues yet they have been extraordinarily insecure in social ones. This cultural lack of confidence resulted in the eager for strict border controls round the definition of gender, race, type and nationality: humans proposal if women and men might be fastened of their separate spheres, there might be preserved a comforting experience of id and permanence.

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Female Gender Stereotypes in Oscar Wilde´s "The Picture of Dorian Gray" by Alexandra Langbein

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