By Lothar HÃ¶nnighausen
That Faulkner used to be a "liar" not only in his writing but additionally in his lifestyles has bothered many critics. they've got defined his a variety of "false stories," really these approximately army honors he truly by no means earned and warfare wounds he by no means sustained, with psychopathological imposture-theories. the downside of this strategy is that it reduces and oversimplifies the complicated mental and aesthetic phenomenon of Faulkner's role-playing.
Instead, this serious research via some of the most acclaimed overseas Faulkner students takes its cue from Nietzsche's proposal of "truth as a cellular military of metaphors" and from Ricoeur's dynamic view of metaphor and treats the donning of mask now not as an ontological factor yet as an issue of discourse.
Honnighausen examines Faulkner's interviews and pictures for the fictions they perpetuate. Such Faulknerian role-playing he translates as a style of organizing adventure and relates it to the crafting of the artist's quite a few personae in his works. Mining metaphor in addition to sleek theories on social role-playing, Honnighausen examines unexplored points of snapshot production and photo reception in such significant Faulkner novels as The Sound and the Fury, Light in August, A Fable, and Absalom, Absalom!
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Additional info for Faulkner: Masks and Metaphors
Faulkner: Masks and Metaphors by Lothar HÃ¶nnighausen